Upcoming events.


Franz Danzi, Offenbach, and the Elector
Apr
14

Franz Danzi, Offenbach, and the Elector

This chamber concert explores musical connections between Offenbach, Schwetzingen, and the world of the Electoral court through the remarkable legacy of the Johann André Archive. The program celebrates Franz Danzi, born in Schwetzingen and published in Offenbach, alongside Mozart.

Performed by the Kammerensemble des Neuen Mannheimer Orchesters, the concert is directed by Anders Muskens, Canadian specialist in historical keyboard instruments, who also performs on fortepiano.

Program
Mozart: Quintet for Piano and Winds in E-flat major, K. 452
Franz and Margarethe Danzi: Piano Sonata in F major, Op. 3
Franz Danzi: Quintet in D minor, Op. 41

Performers
Anders Muskens – musical direction & fortepiano
Federico Forla – oboe
Elia Celegato – clarinet
Nicolas Roudier – horn
Jeongguk Lee – bassoon

Tickets
€20 regular
€15 reduced
Available at the door.

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Danzi – Schwetzingen’s Son
Apr
13

Danzi – Schwetzingen’s Son

Franz Danzi stands among the most significant musical figures to emerge from Schwetzingen. Baptized at St. Pankratius in 1763, he grew up in the rich musical environment of the Electoral court and went on to build an important career as a cellist and kapellmeister in Munich, Stuttgart, and Karlsruhe. In 2026, two hundred years after his death, this programme brings his music back to one of the places most closely tied to his beginnings.

Performed by the Das Neue Mannheimer Orchester Quintet, the programme places Danzi alongside Mozart and Margarethe Danzi, illuminating a vibrant musical world rooted in Schwetzingen and extending far beyond it.

Performers

Das Neue Mannheimer Orchester Quintet
Anders Muskens — Musical Direction & Fortepiano
Federico Forla — Oboe
Elia Celegato — Clarinet
Nicolas Roudier — Horn
Jeongguk Lee — Bassoon

Programme

  • W. A. Mozart: Quintet in E-flat major, K. 452

  • Franz Danzi / Margarethe Danzi: Piano Sonata in F major, Op. 3

  • Franz Danzi: Quintet in D minor, Op. 41

Information

Doors: 7:00 PM
Start: 7:30 PM
Suggested contribution: €30

This concert uses a flexible pricing model. Guests are welcome to contribute what they can or what they feel the evening is worth, with options ranging from €10 and €20 to the standard €30, as well as solidarity contributions of €40 or €50.

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Army of Generals: Deventer
May
9

Army of Generals: Deventer

Anders Muskens leads the international ensemble Das Neue Mannheimer Orchester along with Canadian soprano Elisabeth Hetherington in a concert showcasing symphonies and opera from the golden age of the Mannheim court during 1750–78. The then-famous Mannheim orchestra and its school inspired generations of composers, including a young Mozart who travelled there in 1777. “Army of Generals” comes from a quote by English musicologist Charles Burney, who visited Mannheim and Schwetzingen (the summer residence of the court) in 1772 and wrote: “There are more solo players and good composers in this, than perhaps in any other orchestra in Europe; it is an army of generals, equally fit to plan a battle, as to fight it.” We seek to revive this often neglected repertory and explore what made it so captivating for eighteenth-century audiences; and certainly also modern ones.

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Army of Generals: Amsterdam
May
7

Army of Generals: Amsterdam

Anders Muskens leads the international ensemble Das Neue Mannheimer Orchester along with Canadian soprano Elisabeth Hetherington in a concert showcasing symphonies and opera from the golden age of the Mannheim court during 1750–78. The then-famous Mannheim orchestra and its school inspired generations of composers, including a young Mozart who travelled there in 1777. “Army of Generals” comes from a quote by English musicologist Charles Burney, who visited Mannheim and Schwetzingen (the summer residence of the court) in 1772 and wrote: “There are more solo players and good composers in this, than perhaps in any other orchestra in Europe; it is an army of generals, equally fit to plan a battle, as to fight it.” We seek to revive this often neglected repertory and explore what made it so captivating for eighteenth-century audiences; and certainly also modern ones.

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